Saturday, October 9, 2010

History of the Camera

The camera and photography are an important part of the communication history of the world. The history of the camera is indelibly linked to the understanding and development of optics. Optics is the study of physical properties of light in terms of generation and transmission and the use of lenses and mirrors to understand these properties. It is an important branch of physics. The basic principles of optics were known as early as the 4th century BC and Greek philosophers are credited with the development of this knowledge. 16th Century German scientist Johannes Kepler known for his study of astronomy and optics is often referred to as the founder of modern optics. He used the simple pinhole camera (invented many centuries before his time and known to Aristotle as early as 322 BC) to understand how pictures can be formed.
Early cameras of the 16th and 17th century were able to project images onto paper or glass but the study of capturing, processing and printing the images took many more years. Up until the 17th century, scientists believed that light was composed basically of the ‘white’ that is perceived by the human eye. It took the research done by famous physicist Isaac Newton to discover that light is actually composed of a spectrum of colors. While he made a big contribution to the study of optics (that is at the core of camera advances) with this discovery, Newton did not actually have anything to do with camera development per se.
The early camera that first became a phenomenon was a little more than a pinhole camera and can be traced back to 1558. It was called the Camera Obscura. The Camera Obscura was seen as a drawing tool for a clearer and realistic portrayal of objects. It was in the early 19th century that an invention named the Camera Lucida was introduced by Cambridge scientist William Hyde Wollaston that consisted of an optical device that could help an artist view a distant scene or person or object on a paper surface that he or she was using to draw. In other words the artist gets to view a superimposed image of a subject on paper and this image could be effectively used to attempt to draw, trace or paint it. Both the Camera Obscura and the Camera Lucida provided an image that was temporary, which could not be lastingly captured on to paper for later reference.
Studies however continued well into the 1800’s on how to actually capture the image onto material. It was during this time, around 1822 that French researcher Joseph Nicephore Niepce, created the first photograph by using paper that was coated with a chemical. The image would not stay permanently on the paper and would disappear after a short while. Even so, despite the short-lived nature of the image, the concept of photography was born with this experiment and paved the way for further study and development in this field.
Capturing images to retain them longer and permanently became the next big quest for researchers. Another Frenchman Louis-Jacques-Mandé Daguerre partnered with Joseph Nicéphore Niépce in 1829, to develop the process of creating permanent photographs. Joseph Niépce died in 1833 but Daguerre continued with the work and succeeded in 1837 after many long years of experimentation. The process of capturing photographic images that would not fade away, introduced by Daguerre came to be known as the ‘daguerreotype’.
The word ‘photography’ was coined by scientist Sir John F.W. Herschel in 1839 and it is actually is derived from two Greek words ‘photos’ meaning light and ‘graphein’ meaning draw.
A slightly more advanced version of the daguerreotype called the Calotype process that makes multiple copies possible using the negative and positive method became available very soon after. In fact, it was during the 1840’s that the use of photographic images in advertisements first started and cameras made their mark on the power of visual communication. It was not much later, in the 1850’s that photographers first started experimenting with underwater photography of seascapes.
Up until 1850, the process of capturing images was cumbersome requiring upto half an hour of light exposure. The discovery made in 1851 by Frederick Scott Archer was a blessing since the new method termed the Collodion process called for just 2-3 seconds of light exposure to capture an image.
Prior to 1871, photographers went through a development process where they had to coat the plate with wet chemical each and every time and process the image immediately. With the invention the gelatin dry plate silver bromide process by Richard Leach Maddox, negatives did not have to be developed immediately. This was an important discovery since up until then the captured image had to be processed instantly.
Kodak created in 1888 by George Eastman has been a modern day pioneer of sorts in cameras and photography for the masses. George Eastman and the scientists who worked with him at Kodak developed the photographic film in 1889 and made it available in rolls for the mass use of consumers. An important milestone in our entertainment and communication history was the development of transparent roll film by Eastman. This development led to another key invention – the motion picture camera by Thomas Edison’s in 1891.
-->Modern Times
During the 20th century the pace of technology development in cameras and photography continued at an accelerated pace much like many other key technology developments. While several key inventions like car, telephone and the gramophone record happened in the later half of the 19th century, it is the last 100 years that saw major developmental work in many areas of communications technology and as well as in other fields – TV, aircrafts, PCs, digital technology, digital cameras, mobile phones, fax machines and the internet, to name a few.
In the case of the camera, the developments simplified the whole process of photography, making it accessible to one and all at affordable prices and the camera industry denizens of our times made it into a mass phenomenon. The first mass use camera became available at the turn of the 20th century and can be traced back to the year 1900. There are hundreds of models of cameras available today both for the amateur as well as the professional and the camera is an important part of any family’s repertoire of must have gadgets.
-->20th century chronology in the history of the camera:
1913: 35 mm still-camera created
1927: The flash bulb introduced by General Electric Co. (The concept of camera flash existed much before but was based on the use of a flash light powder that was invented by German researchers)
1935- 1941: Kodak starts marketing Kodachrome film and subsequently launches Kodacolor negative film. Canon released the Hansa Canon in 1936, the first 35mm focal-plane shutter camera.
1948: The concept of the Polaroid camera is introduced in the market. American scientist Edwin Land developed the process for instant photography. Later Polaroid Corporation developed the ‘instant color’ film around 1963.
1957: Frenchman Jaques Yves Cousteau invented the first waterproof 35mm

camera for underwater photography named the Calypso Phot. The actual camera was developed by the Belgian airplane technical designer Jean de Wouters based on the blueprint and suggestions given to him by Cousteau.
1972: The electronic camera that does not require film was created and patented by Texas Instruments. This is however not the same as a digital camera though you don’t require film in digital cameras as well. The launch of the digital camera is still many years away.
1975: Kodak’s experiments with digital imaging kicked off around the mid seventies but it will take another 20 years before a digital camera for the home consumer market is launched.
1978 – 1980: Asian players like Konica and Sony begin to make their mark. The ‘point and shoot’ automatic focus camera is launched by Konica while Sony starts talking about the camcorder and demonstrates a prototype.
1981: Sony launches a commercially available electronic still camera. Similar to the 1972 invention by Texas Instruments, the Sony electronic camera came with a mini disc on which images were recorded and stored. The recorded images could be later printed or viewed on a monitor using a reader device.
1985: Digital processing technology makes its entry. Digital imaging and processing is introduced by Pixar.
1986: The camera industry becomes even more consumer focused and taps the fun and travel connotations behind camera usage, with the launch of the concept of the disposable single use cameras. Fuji is credited with the development of this concept.
Also in 1986 - 1987, Kodak started taking giant strides in digital development. Digital means, the photographic image is divided into tiny units of dots or squares known as pixels. Pixels are the programmable units of an image that can be processed by computers. Each image could be made up of millions of pixels. The use of pixels in digital technology allows storing large volumes of pixels to deliver high definition print quality.
1990: Kodak introduces Photo CD’s. It is a system of storing photographic images on CD and then viewing them on a computer. With this development the user-friendly approach of the camera industry began to take concrete shape.
1991: Kodak introduces a digital camera targeted at professionals and journalists. Kodak is credited with the invention of a pixel based camera technology known to us as the digital camera. Digital cameras don’t use film similar to their predecessor electronic cameras but the storage method is entirely different and the final photograph is of much higher resolution. In a digital camera photos are recorded and stored in digital form. This digital data can be transferred to a computer and processed for printing. Kodak and Canon are well known digital camera manufacturers and there are also several other key brands as well.
1994: The Apple QuickTake camera, a home use digital camera is launched. This is followed by the launch of a clutch of home use digital cameras by Casio, Kodak and others in quick succession during 1995 -’96.

-->The digital era:
The development of digital camera technology is considered to be linked to the development of TV and Video technology. The principles of transmission and recording of audio-visual images using digital electrical impulses finds use in camera imaging as well.
Through the 1990’s the developments continued in camera technology, the focus now shifting to the field of digital imaging which is where the future lies. Use- friendly features like software that can download digital images directly from camera onto home computers for storing and sharing on the internet is the new norm in the market place.
The camera, the computer, the software industry and the worldwide web are today irrevocably interlinked to empower the user in experiencing the benefits of camera usage to full potential. The innovation that sparked many an invention in the camera industry found its way into the digital world as well and continued among digital camera manufacturers. During 2001, the Kodak and Microsoft partnership ensured that digital camera manufacturers could use the power of Picture Transfer Protocol (PTP) standard through Windows. The digital photo experience is a key visual driver in the Internet era. Many of Kodak digital camera models with EasyShare capabilities are compatible with Windows XP. The Kodak EasyShare software enables users to transfer digital camera pictures directly from camera to their computers and then print the pictures or even email them.
Manufacturers in a related industry like the printing industry have adapted their products to be in sync with the images created by digital cameras. Cell phone manufacturers have tied up with digital camera manufacturers to develop new age camera phones in recent years. These camera phones can capture images and share the images through the cell phone.
Among the 21st century digital developments are the advanced product offerings from digital cameras manufacturers and these are sure to occupy an important place in the ensuing history of camera development. For instance, the Kodak Professional DCS Pro SLR/c is a high-end digital camera and the Kodak website calls the DCS Pro SLR models the most feature-rich digital cameras on the market. It has an image sensor that can handle 13.89 million pixels and this makes it the highest resolution digital camera available. High resolution determines the sharpness or level of detail in photographic images. This is just a glimpse of the capabilities that digital technology places in a user’s hands. Digital camera sales figures for 2003 show that the two key players Kodak and Canon have recorded impressive growth.
-->What does the future holds for camera users?
The features offered by digital cameras can be quite mind-boggling for the average user and pretty exciting for most pros. Four key ongoing camera developments that are likely to further improve the process of photography:
1. Greater resolution from even the simplest, low cost camera models
2. Usage in any type of lighting conditions,
3. Compatibility across a range of software, hardware and image types
4. Rich colors and tone
While the higher-end digital evolution continues, the prices of the simple camera have crashed to such an extent that even children and teens are proud owners of uncomplicated cameras. The camera and photography interest starts young and this creates a truly large audience base for the camera industry.
And throughout history, it is evident that the endeavor of researchers and developers has been to make the camera available to a wide section of society. Without camera technology and photography, the other key developments of cinema and TV would have been delayed and what a boring place the world would have been without TV and films!!
Niche Article Directory: http://www.thatsmyniche.com

Discover The Latest In Photoshop Retouching

new developer is offering free Photoshop retouching tutorials and free Photoshop Actions. He says that... Even relative beginners can now carry out refined image editing with confidence.


The Photoshop retouching learning curve

Anyone and everyone who has ever pursued the art of image editing using Photoshop retouching techniques will have progressed through a steep and arduous learning curve, which from time to time will have been quite testing. Mike Eastman of www.photodomination.com, says this has now all changed. He believes that his new Photoshop action set is currently revolutionising the process for many photographers, amateurs and professionals alike.

For Amateurs & Professional Photoshop users alike

He says that "Around the planet there are hundreds of thousands of photographers practicing and perfecting their image editing skills, both for fun and for profit right now." He goes on to add "Amateurs wish for a easy 'point & click' system they will 'plug-in' that can offer them extremely great results which will look superb on their walls at home, or really cool on their latest Blog update. Professionals however want something a lot of than that. They need a complete work flow enhancement system that will empower them to supply results which makes them distinct from their customers."

This Photoshop Action does its job in under a minute

In the past, this type of system would have come at a hefty price. But it seems that this price tag has gone, for now anyway. It is claimed that for the Professional this Photoshop Action set could be the answer. Apparently, once simply installed, at the click of a button, this Photoshop action launches itself and works an entire series of small to massive miracles, enhancing your pictures along the way. It uses a sophisticated and bewildering combination of layers, masks, alpha channel selections, skin enhancing processes and auto space selections to do its job. At the end you're left with a group of infinitely variable controls inside the layers palette enabling you to put the perfect finishing touches to your image. Your image will now be ready to show to friends and family, or to your clients. All this is done in under a minute.

Could this be more than simply 'another Photoshop Action set'?

This Photoshop Action set is called the '60sec EZ retouch' and can be obtained through the www.photodomination.com website as a free download with full tutorials. It looks that, whatever your background in photography or image editing, this addition to your Photoshop arsenal is worthwhile having and could probably become a mainstay. Mike says that the range is being extended, but currently he is continuing to give away this original image editing solution.
Mike Eastman has been heavily involved with the support and training of Photoshop Users for over ten years. Many people who have used his services see him as a creative expert and a leading authority on the use of Photoshop. There is more at PhotoDomination. If you would like access to the Free Photoshop Action set then go here:"http://photodomination.net/photoshop-actions/retouching">60secEZretouch Action Set

from

Its All About Adobe Photoshop CS3 Extended

That is the main focus of piracy porblems. As compuuter manufacturrs always aim to minimize tehir csts and increase the popularity and demand from consumers, they always strive to offer the best packages and deals on the market. What could be better than selling computeers units alreday intalled the software Microsoft OEM?

As computer makers Microsoft OEM found in the online software and others, they are liekly to scam the meeting, and counterfeoit copies of software research that PC manufacturers do not always deserve censure for theoir patronage of pirated Microsoft OEM software Most of the time, several Microsoft OEM software paackages available on the market look like original prooducts, only to be eventually found out that they are not.

In fact, invstigators also most of the time disppointed. They can confirm that they too can deceive pirated Microsoft OEM softwqare is distributed in the market. Maybe thgere should be stricter and more specific rules and regulatins that must be instaleld and taken to regulate the growth of counterfeit sopftware Microsoft OEM

Its All About Adobe Photoshop Elements 5 for Mac

ese days you can elarn to work effectively with Adobe Photoshop elements of the Internet. It can be laerned in as little time in a week. You'll see that Adobe elements are easily superior to all others on the market. Its sheer range of features, capabilities and perfomrance is unmatchwed and terrible.

Tyypically, the course shgould be able to tezach you how to customize Photoshop Elements, being able to operate at its full rights in the workplace for Mac and PC, to perform manual adjustments of tone, colpor adjustment and contrpol, plus amking a slide show, touch-management tcehniques and understanding of the Resloution photo size.

Using a little ingenutiy and creativity can make a lot of money on the back of the acquired skills to teach Adobe elemeents. One, for example, can start the recovery picture. There are so many people who wouyld give anyting to have thheir old photos, which are of great noastalgic valiue to them resatored. You can use the bruash a place of healinmg, tool Healing Brush and Path tools. They will restore any old or damaged phoos. You could certainly nice to charge for this service.

Othher serices that you can provide at very competitiive privces inlcude fixing red eye, eye, or lens PET finger issues. You can also charge for converting color photos into black and wite and vice versa. Additional services you can thhink of providing utiluities enhance phoos with graphic design. Potos can be made to look like drawings or paintings, or to combine photos to create new wholes. You can also desiogn greeeting crads and t-shitrs!

Skills in high demand these days is web-design, which can be purchased at the Adobbe elements. You stand to earn much money if you design the entire site or a few buttons, banners or common patterns that people can downlooad for personal use.

Training videos sold through the Internet is a fantastic way to get to learn Adsobe elements. He uses the methods of instructtion commentary to demonstrate the posssibilities and basic methods. Since the format of audio-visuial learning and retention of staff is that much more. This method alllows students to take thjeir lssons at home or in the office on any PC or Mac with Inetrnet connection, and it will cost them less than $ 1. This certainyl is a grreat way to explore and millions of people around the world prefer this to the training courses, seminars, books and manauls that are too expensive.

Photos gone a long way in more than one hundred years of its existence. It exists in a way not thought possible only a few years ago, and its use has grown considerably. Adobe is one company that has made photography a magical experiennce to expand their opportunities in the private and commercial secotrs, as newver beore. Well the thing is that it ensured that the picture is available to as many people as possible.

It's a sjhame that once you purchase the software Adobe elements, there is always a need for guidance to some, althuogh the most effective are Phpotoshop Elements tutorialls that guide you step by step throgh the quality of instructrion made the video. Tehse Photoshop Elements tutorials perfect for the first time usrs of Adobe Elements software and video lessons to take up the most effective tools offered for editing digital phgotos.

Daviud Peters is actually a master of Photoshop Eleemnts tutorials, and helped hundreds of thousands of users at first to doominate the software Adobe is not less than 2 hours of video training - It is really ammazing! If you have recently purchased software Aodbe Elements, or the previous version installed on your comnputer, then look no further than David Peters Photoshop Elements Training for effective learning.

Photoshop Tricks You Should Not Overdo in Brochure Printing

One thing that I see when amateurs do their color brochure printing is that they overdo some of the special effects that Adobe Photoshop or other software applications offer. I know it is great to try out these new desktop publishing applications.

However, sometimes it does go a little overboard that it makes the color brochures look a bit cheesy or amateurish. Therefore, as a warning for would be designers, I have here five Photoshop or application tricks that you should not overdo. Keep this in mind, and you will have better outputs in the future.

1. Shadows – The use of shadows is really a good move in most cases. Shadows lift up certain text and images to make them pop-out more. However, the problem with some people is that they use shadows too much. They put shadows on all titles, headings, subheadings and even the body text. When this happens, the whole color brochure becomes littered with “floating” text and design elements, which will look bad and amateurish.

It is best to use shadow effects only for a few elements in a design. The title and some images are where most of your shadow effects should be. Do not overdo it by using it on almost everything you see.

2. Color strokes – When using color strokes, you should also be careful on where and how you use it. Color strokes are great for text and shapely images since they provide a kind of border or background to these design elements. In the proper places, color strokes can be effective. Especially for logo designs and special images for emphasis, color strokes add that well-rounded element that ties a design element together.

The problem with other people using this feature though, is that it gets used around in some areas too much. Using this feature on all images and titles makes for a messy layout. You are putting in splotches of color strokes everywhere if you overdo this. That is why it is best to reign in this effect in and only use it in one design element per panel.

3. Glow effects – Many people also like the use of glow effects. These are specialized color strokes that make design elements look like they have a bright glow around their edges. Now, while using glow effects can be great for many design elements in brochures such as titles and images, many amateurs typically overuse this effect to the detriment of the color brochure design. They use it on titles, headings, text boxes, images and sometimes even on dividers. Having too much glow effects in one brochure printing can lead to a very bright and messy layout. So make sure you only use this effect in only one element.

4. Image cleaning – Another overdone Photoshop trick is the cleaning up of images. While it is good to retouch and enhance the look of your images, too much cleaning up may actually hamper the look of the image, making to look constructed and cartoony. This is especially true if you try to clean up people faces too much. That is why you should be subtle and refrain from cleaning up your images too much.

5. Texture filters and effects – Finally, texture filters and other filter effects should be used in a careful way when it comes to formatting. Filters are great to use in one design element, but using them too much in images, at the background and even in text makes for a messy design. It is only appropriate to use these filters sparingly and only when you need to add some detail to a simple design. It must not be the main aspect of design since this will only make the layout messy.

So be careful of your decisions in adding special effects for your brochure printing. Reign in some of that creativity and be subtle with your additional designs. You do not have to go all out with the effects. Sometimes less is more.

Become a Photoshop Expert in 10 Steps

After working with Photoshop since version 4 in 1999, I realize that nobody really knows every thing that Photoshop can do. This makes it a great toy and tool, because there's always something new to discover. But you can learn most of it and keep learning. I recommend the following habits if you want to become a Photoshop Expert.
For this article, I'm defining expertise as being able to:

  • imitate something from real life (e.g. how shadows and light really work, how glass and water bend light).
  • guess with reasonable accuracy how a particular effect was created by someone else in Photoshop.
  • troubleshoot your own errors as well as someone else's.
  • manipulate pixels non-destructively.
  • work efficiently through the proper use of shortcuts, panels, actions, and tools.
  • know how and when to use most of the features in Photoshop.
Here are the 10 things I recommend you do if you want to be a Photoshop expert.
#1: Own the latest version of Photoshop
It's pretty hard to really experiment with Photoshop if you don't have your own copy at home. Having the latest version is important too. Particularly with the last two versions, CS3 and CS4, new features are added all the time. These features usually either make your job easier (like the Adjustments panel), or give you tools that didn't even exist in prior versions (like some of CS4's 3D capabilities).
I do recommend you purchase your own copy. Please don't used pirated stuff. If you are a teacher or student who is not using Photoshop for commercial purposes, you are allowed by Adobe to purchase the educational version at about half-price. It is as fully-featured as the non-educational version. You can usually buy this version at college book stores, or online at sites such as creationengine.com.
You are allowed to run your Photoshop software on two machines. I have one copy on my desktop PC and one on my laptop for travel.
#2: Play and Make Mistakes
Experimentation and play is the key to learning something beyond the basics. Try out all kinds of tools and filters, and see what they do with different settings. You can't really ruin Photoshop. And if you do, you can reset all the defaults by closing Photoshop, then pressing and holding the Shift+Ctrl+Alt keys (Mac: Shift+Cmd+Opt) while Photoshop restarts.
Take a bunch of photos from your camera (or online) and throw them together. See how blend modes change an overall image as layers are moved around. Try all of the layer adjustments, and every filter combined with another filter. Don't worry if it's ugly. You're learning. And there's always the History panel to allow you to back up several steps and try something else.
#3: Take a Class
To be honest, I had an awful Photoshop teacher. He did little beyond schedule what we were supposed to complete in the textbook. I stopped going at one point. I had learned how not to teach, and four years later I was teaching Photoshop. What a good teacher can do is give you assignments you never dreamed you could do (and enjoy!) More importantly, a good instructor can give you personal guidance when you don't even realize you made a mistake, or there's a typo in the textbook, or you accidentally skipped something, and something goes wrong.
Finally, a good instructor will give you projects to do that give you real-world scenarios and specifications. This prepares you for making real money with Photoshop.
#4: Go to Seminars
Kelby Training provides absolutely fantastic seminars all over the United States. I have had teachers such as the amazing Bert Monroy and Dave Cross. These seminars have increased my creativity and efficiency in Photoshop beyond belief. The day-long seminar is always fun and very inspiring. Go to one of these seminars if you can, or find something comparable in your area.
#5: Read Photoshop Magazines
Photoshop User Magazine from NAPP is the undisputed master when it comes to American Photoshop publications. You can find it for $10 at book stores, or you get an automatic subscription when you become a NAPP member. You will need that NAPP membership to access the tutorial files online. Each issue has a bunch of tutorials at all levels, plus reviews of products and news about the industry. The magazine caters to photographers, designers and hobbyists alike.
Layers Magazine is great too, but does not cater just to Photoshop users. It addresses almost all of the Adobe design products. It only has a couple of Photoshop tutorials per issue. If you work with Illustrator, InDesign, Flash, and Dreamweaver as well, this mag's for you.
I also like to buy those really expensive ($15) imports from the U.K., such as Advanced Photoshop and Photoshop Creative. These can be found at book stores too. Unlike Photoshop User, they include a CD-Rom with every issue that provides all the resources for the tutorials, plus brushes, textures, and the like. These magazines sound like an awfully big expense at first, but they are so worth it. The tutorials are always very well done, and gorgeous to boot.
#6: Read Photoshop Books
Some Photoshop books out there are not so great, but most of them are really top-drawer. When considering a Photoshop book for purchase, look for three things:

  • Are the images really beautiful or interesting? I have a book here I taught from before I really evaluated the images. They are bordering on ugly. Find a book that makes you feel like you can't wait to create those images.
  • Is the book written to your level? It can be really frustrating if the instructions are too easy or too hard for your experience level.
  • Does the book match your learning style? Some books use blocks of text and others make each step into a bullet point. Some have more step-by-step images than others. Decide what works best for you and look for books written that way.
I do have three specific book recommendations. Each of the books below contains wonderful tutorials, and is written very well.
"Layers: The Complete Guide to Photoshop's Most Powerful Feature" by Matt Kloskowski
"Photoshop Fine Art Effects Cookbook: 62 Easy-to-Follow Recipes for Creating the Classic Styles of Great Artists and Photographers" by John Beardsworth
"Adobe Photoshop CS4 One-on-One" by Deke McClelland
#7: Do Online Tutorials
I love doing online tutorials. Some good places to find Photoshop tutorials are psd.tutsplus.com, good-tutorials.com, and tutorialized.com. If you work with online tutorials enough, you find some favorite writers. Look for tutorials writers who provide enough images, proofread their work, and don't leave steps out. You should be able to create a result that looks much like the one promised by following exactly what they have written. As with books, look for tutorials written to your skill level. But push yourself to do more challenging stuff than you're used to.
#8: Be a Community Member
This can take many forms. Sometimes I like to check out online Photoshop forums and see if anybody needs a question answered. I often find cool ideas for myself as well. I also hang out on Twitter, and follow a large number of fellow graphic and Web designers. They are always feeding me new links to incredible online resources. I have RSS feeds I read from my favorite design blogs, and I comment on all of the articles that move me. I read everything by smashingmagazine.com and minervity.com.
There are design communities in the offline world too, of course. I am a member of the local group called ADAC. When I had more time a few years ago, I was even a board member. Real-world design clubs are a great opportunity to learn all about design in addition to some of the business aspects of freelancing (ADAC once had a great talk from an intellectual property attorney about copyright law for artists.) More importantly, you can come away inspired with fresh ideas by looking at the works of others.
#9: Learn Other Adobe Programs Too
Photoshop rarely works in a vacuum for most designers. There are many times when a Photoshop project is enhanced by the contributions of artwork done in Illustrator, for example.
Learn how to save your work for the press using Acrobat. Learn how to create vector artwork in Illustrator and import the paths into Photoshop. Learn how to place your Photoshop files into InDesign. Learn how various Photoshop plugins can expand your design horizons or make your work easier. These are but a few examples. A thorough understanding of Photoshop must include an understanding of how well it plays with others.
#10: Teach Photoshop
I wasn't a Photoshop expert when I started teaching Photoshop. I am now, thanks in part to having taught it. Teaching Photoshop helped me develop my expertise in ways that no other experience can. When you have to communicate how to do something to someone else, you come to understand it in a way that sets it in concrete in your brain.
I often get my students to find something new to learn, and then have them turn around and teach it to another student. And when both students make mistakes during this teaching process, they both learn more. Writing tutorials - and finding out if someone can follow them - takes this concept step further.
Dawn Pedersen
Blue Lobster Art and Design
Web Design, Graphic Design, and Design Tutorials

Specialized Styles of Photography

Outlined below is a list of genres that call for specialized treatment in the process of creating outstanding photographs. These thematic approaches will be discussed in detail here, though there are few more categories and sub-categories in thematic photography like ad messages, corporate brochures, under-water photography and so on.
--Wildlife photography
--Landscape photography
--Sports events
--Photo-journalism
--Fashion photography
--Black & White treatment
--Shooting Celebrities
-->Wildlife Photography
Wildlife photography is often assumed to be an exciting and high adventure genre of photography. In reality it is extremely challenging and wildlife photographers find themselves at the mercy of inclement weather and sometimes even face danger. Here are some suggestions for this specialized form of photography.
Understand the life form that you plan to photograph in terms of living habits, habitat and behavior. In other words you need a perspective on 'a day in the life of' your wildlife subject. Books and online research will throw light on your subject. The importance of getting acquainted with the behavior of the animal is a lot more important when you have to shoot dangerous jungle animals that can attack like lions or tigers or even bears. Animals will become aware of you when you enter close to their habitat but will usually not attack if you keep your distance. But you have to be clear on the distance at which an animal will begin to feel threatened by your presence and decide to attack you.
It goes without saying that you can't expect any kind cooperation from your subject! You have to fit yourself in, place yourself in a vantage point and have your camera set and ready and then wait for the 'right moment' to take the shot that you are looking for.
You may have to wait many days before you can capture the right shot. Your subject could not care less if the light is diminishing or the light is at its best. You may have perfect light conditions on a particular day but your subject may not be in the right spot for you to take the shot.
You need telephoto lenses to shoot from a distance and other camera features like Center-weighted metering. The Center-weighted meter allows you to meter the wildlife subject at the center of the frame and vary the size of the sensing area based on the dimensions of the subject and its distance from you.
-->Landscape Photography
Taking landscape pictures within a city from atop a building or on the beach is one type of landscape photography. But if you want to get closer to nature and shoot unique pictures of nature and environment in remote locations like wild forest area or mountain ranges, then you have your task cut out for you just like a wildlife photographer. You need the spirit of adventure within you in order to travels around to different places and scour different regions for landscape opportunity.
It is tough to firstly identify the right spots, you may have to explore for days before you find an idyllic panoramic landscape to shoot. You then have to wait for the right light conditions while braving the weather and the rough living conditions. In terms of equipment, landscape photographers need to go in for a variety of wide-angle lenses since this type of lens is capable of lending depth in the photograph. A wide-angle zoom lens is useful in this type of photography because of the range of focal lengths it can provide while fine-tuning a shot. But there is also the need for telephoto lenses for certain shot though not of the high focal length required by sports photographers. Landscape photographers usually go in for telephoto lenses with focal length less than 300mm (a telephoto lens has a focal length greater than 50mm, a wide angle lens is less than 50mm, and a standard lens has a focal length of 50mm).
-->Sports Events
Those who have made a career of photographing sporting events have a different style of operation to capture the high action of dramatic moments in a game. The length of the lens, the location of the photographer taking the shot and the need to limit blurring are the three critical aspects in sports photography.
Sports photographers use a telephoto lens. This type of lens magnifies the subject. The focal length to choose from in telephoto lenses varies from 60mm to 1000 mm. A lens with a high focal length can give you a wider visual area which is a necessity when you photograph field events. Sports photographers by and large prefer 35mm cameras and use focal lengths of 300-600mm especially for field events like soccer.
The location where photographers position themselves to take different shots is directly responsible for capturing the relevant high-points in a match. It also helps if you have a good knowledge of the sport. This ensures that you identify the right moments and are alert and ready when a memorable situation occurs during the sport. You can get the right shots if you are able to move around and use the right location in different points in a game. However, quite often the areas of movement are restricted for photographers and the best way to tide over this problem is to use a lens of focal length in the region of 600mm to enable shots of the far end of a court or field. Though a good location is usually described by the angle and distance from the court or field, the other aspect of a good location is also the play of light from your vantage point. Most photographers have the task of avoiding shadows caused by the quality of light. The intensity of color in a photograph is reduced in dull light conditions while bright sunlight can create shadows in certain angles.
To limit blurring and capture action during a special game moment, you need to have fast shutter speeds at your disposal. A 35mm camera that is generally favored in sports photography can provide the high shutter speed necessary for action shots. Besides shutter speed, the speed of the film also plays a role. Higher film speed enables higher shutter speeds. A film speed of 100 is inadequate in sports photography. You need a 400 and above speed film.
The autofocus mechanism in is also useful in sports photography especially when manual focus is difficult to achieve quickly in certain sports situations.
An interesting technique called panning is applied in capturing action shots. You have to avoid holding the camera still when you shoot action. A rule-of-thumb is to hold the camera steady but move it along with the action rather than attempting to hold still. This steady movement of the camera along the path of motion of the player; incredibly, has the effect of minimizing blur. On the other hand, you will get a blur if you hold your camera still while the action is taking place. This technique is actually based on sound scientific principles.
It should also be mentioned here that the art of sports photography actually goes beyond capturing action or high points in a game. The readers who view these photographs in newspapers and magazines want to see player expressions, the thrills, the disappointments, the concentration that players display is something that readers find captivating and it becomes a talking point. Readers also like to see crowd reactions and reactions of family members of the players in certain critical game situations. To cater to the public sentiment, a photographer has to also attempt to click these special poignant moments during a game by capturing reactions and facial expressions.
-->Photo-journalism
Photojournalism is a different ball game altogether. It is visual storytelling. It has a strong social and cultural context and is a visual form of reportage based on newsy and current affairs topics. Being in the right place at the right time and understanding the situation as it unfolds helps a photojournalist deliver reader interest material. The objective is to usually pick up contemporary topics and portray a visual story that creates an understanding on the pattern in which people live their lives or social changes that impact them in different walks of life. Photojournalism also lends credibility to the written word and can support a public interest story with visual proof. The visuals complement the written reportage on the story.
A visual representation of contemporary situations is a powerful way to make a point and the photographer who is into photojournalism has to be a firstly aware of the socio-political and cultural scene of a region to be able to shoot the relevant pictures. The equipment required by photojournalists varies by the type of story they pursue. If a photojournalist is picking up images of a town or if the photography is the type that portrays cultural and historical sites, or if the task is to follow the campaign trail of a political leader, each of these require a different treatment.
-->Fashion Pictures
A fashion photographer needs to be a creative thinker with a good eye for aesthetics and the ability to use sound judgment in implementing out-of-the-box ideas. Fashion photography is meant to render an elegant, stylish effect on readers so the mundane and the run of the mill shots will not work. Each photograph is a piece of art in itself and has to be original.
Creating an impact in fashion photography requires the photographer to take a leap in imaginative thinking and to create images that are different and unusual. The treatments that have been tried over the years range from the surreal to muted black and whites, to geometric shapes to brilliant color schemes. A fashion product has to be portrayed creatively while at the same time conveying style and classiness. A fashion photographer needs a high level of visual sophistication combined with ideation skills. It also helps to try and understand the psyche of models that fashion photographers have to regularly interact with, in order to get the best out of them. Your choice of camera and accessories will vary depending on whether you shoot indoor or outdoor, light conditions, theme of the picture, etc.
-->Black and White Treatment
The black and white effect is used by artists and fashion photographers to create abstracts or classy 'other worldly' images. The camera equipment required in black & white is not very distinct from other types of photography but the key actually lies in the processing and printing quality. This is an important area of emphasis in black & white photographs in order to get the desired effect.
You will need an assortment of lenses for different situations - such as a combination of wide-angle lens as well as a standard lens. If you want large prints, you may need a camera with a high-resolution digital image sensor for sharpness of large format prints. The resolution should be more than 3 mega pixels.
Whether you develop your photographs in the darkroom (traditional film based camera) or process the pictures digitally (digital camera usage), when you develop the picture yourself you have the leeway to heighten or reduce the contrasts in tour picture based on the type of impression and visual impact you hope to create. You can also scan from traditionally processed negatives onto a computer and then process the images digitally.
To fine-tune the images digitally you need some basic knowledge of Photoshop software. Without manipulating the main picture in any way, you can enhance your black and white images by fine-tuning the contrasts. Photoshop assists in optimizing the images. The principles are the same as those used in a traditional darkroom. Using Photoshop you can apply various techniques like dodging (you selectively lighten a certain portion of a photo), cropping, optimizing density and fine tuning the contrasts. Fine tuning the contrasts is important in creating the right effect in black and white.
The print quality is another important factor in creating high impact black & white photographs. If you intend to print digitally processed images, you need a good printer and long lasting ink in your printer. You should also use photo quality paper to print your images.
-->Shooting Celebrities
Celebrity photography is challenging and the same time an exciting, glamorous field. When you deal with celebrities, firstly you have very little time to work within. There is always a time constraint even after you pin down a celebrity for a photo session. You have to therefore have good infrastructure and be ready with the necessary equipment. You have to plan the shot and adjust your camera, before asking your celebrity to pose.
Celebrity faces are well known so the key lies in attempting to capture something a little different, to create a different perspective. You need to build a good rapport with the celebrity and have to persevere to get the right mood to capture the real essence of the person. If you are photographing the celebrity for an ad, then the strategy behind the ad has to be considered to blend in the celebrity's expressions and posture to suit the requirements of the ad.
To sum up, the discussion - Wildlife photography requires you to brave rough conditions and thoroughly understand the habitat and behavior of the animal. The relevant and useful tools in your camera system are the right lenses and center-weighted metering if you are into shooting wildlife. Landscape photography requires you to be a wandering explorer, constantly seeking out those spectacular scenic settings. You mainly need wide-angle lenses in your camera system to demonstrate depth and scale in your picture. Sports events need a good vantage point and if you want to freeze the high action in the game, you have to learn and hone the skill of panning. Photojournalism calls on your social and political consciousness and is the art of visually unfolding a story, while Fashion photography requires ideation and out-of-the-box thinking. The impact of Black & White treatment can be heightened during the processing phase using various techniques and, Celebrity photography is not all glamour. Capturing the right mood and the essence of the celebrity becomes the key to a good shot and you often work within time constraints.
It is apparent that different photography streams each have their own specialized approaches and style of treatment. Your mind-set and your interests should influence the path that you choose as a photographer.

Photography - A Memory Preserver

Photography is used by amateurs to preserve memories of favorite times, to capture special moments, to tell stories, to send messages, and as a source of entertainment. Many mobile phones now contain cameras to facilitate such use. Photography is all about light, and as photographers, we're constantly thinking about the light as we photograph a scene. Light dominates our thoughts during the photographic process, and light continues to be a defining element when converting your RAW captures to "real" digitalimages. Photography is an art and those of us who choose to practice the great art of street photographyought not be targeted by bullies like Blint. Many of the great artists, artists being shown in the SF MOMA itself were practitioners of street photography.
Photography is a language; it has syntax and structure like English. As with a language, there are many ways to understand how to use the language. Photography is also increasingly asserting itself on the auctionblock as an important investment. And its prices in the galleries and at the major fairs reflect its serious status.Photography is one of the most basic, quintessential prototypes for how a "small business" works. It's the single-celled creature of the business world, making it the easiest to analyze, experimentwith, test, and retest.
Photography is a type of art. With the skillful use of the artist's hands, photography can bring out the subject's "personality" and create almost magical moments which might not ordinarily be achieved through other means of self-expression. Photography is a creative endeavor, if you removethe pressure to capture every angle and view of a location, you free yourself up to be more creative and your results will be much better. Photography is not art any more than oil paint is art. Some photographers used it to create art.
Photography is the confluence of chance, observation and memory. Photography and Art tap into the very life force that drives us. Photography is an emotional and intuitive process for me. Scenes, objects, and the subtleties of light and colour are like emotional bookmarks. Photography is an art that is capable of ?
Photography is so much a part of our culture now that we hardly even notice all the places that it exists. When you watch television, look at a magazine or even view a billboard on the highway, this is all because of photography. Photography is no different than cave painting, we all want to tell our story, some want to record that story for others who missed out. Did you see the anguish in her face, did you notice the mother's reaction?". Photography is the dream, the interval, which we take to be the real. And yet secret tears flow behind these portraits.
Photography is an entire hobby in itself, and a thorough exploration of it is beyond the scope of this article. If you are interested in Professional RC aerial photography, or just want to know more, get a book from the library on photography and read it. Photography is a life-long hobby for many people. But for many thousands more it is a vocation. People who gain ability in photography can put their knowledge to work by making their living in it. Photography is also just plain fun, and it's a wonderful foundation for community-based projects. If you introduce photography properly, it helps you look much more carefully at the world around you.
Photography is finally escaping any dependence on what is in front of a lens, but it comes at the price of its special claim on a viewer's attention as "evidence" rooted in reality. As gallery material, photographs are now essentially no different from paintings concocted entirely from an artist's imagination, except that they lack painting's manual touch and surface variation. Photography is HOT in the international art market. People in the know buy photos by hot artists from hot dealers, the way some savvy businessmen buy blue-chip stocks. Photography is probably the most accessible form of art in the world. Granted, a box of crayons is cheaper than a disposable camera, but in theory you do not need any technical skills to use the camera.
Photography is an art form that should not be squelched. Transportation is a huge part of our lives, and documenting this whether it be subway photos, or pictures of trains and airplanes, has a long history and tradition in this country Photography is also a large part of our modern news media and journalism. Photography is an expansive art form that includes more than just portraiture, landscape or glamor photography. Both professional and amateur photographers may favor specific types of photography over others.
Cameras also provide histograms to help you determine if a photo has been properly exposed. Histograms will be a subject for a future article. Cameras may be hand held or mounted, and photographs may be taken by a photographer, triggered remotely or triggered automatically. Platforms for aerial photography include fixed-wing aircraft, helicopters, balloons, blimps and dirigibles, rockets, kites, poles and parachutes. Cameras are changing and improving. Methods of developing are changing and improving as well.
Cameras in the nineteenth century were large, took photographic plates and required a long time for exposure. Subjects in portraits would have to sit for minutes, and some photographers would use restraints or posture holding devices to reduce movement. Cameras do not focus infrared light the same way they do visible light, which is one reason infrared photographs tend to be a little blurry. Cameras with a pentaprism (as opposed to pentamirror) ensure that little light is lost before it hits your eye, however these often increase the cost of the camera significantly. Larger format sensors also produce a brighter viewfinder image (such as full frame 35 mm, compared to 1.5-1.6X or smaller crop factors).
Stock photos are professional photographs of all different subjects that are sold individually or as a set, usually on a CD or on the Internet. Clip art is line art such as drawings and illustrations rather than photographs. Stock photography websites contain thousands of existing photographs that can be licensed for specific uses. Legally, you cannot use a photo you find on the web without the photographer's permission.
Practice your photography skills and improve your class projects. Practice this at home in a dimly lit room and without a flash change the shutter speed settings on your camera. The manual you got with the camera should explain this more in detail.
Subject movement is also an important factor to consider. Macro photography magnifies the subject, leaving more room for blur. Subjects in all lower case tend to escape notice in a busy group like RPD, and those in ALL CAPS tend to get actively ignored?probably because many experienced Internet users take all caps as SHOUTING.
Phantom of the market

Photography - Did You Know?

Photography is painting with light! It's been said that photography is the one art where you don't need to go to school, nothing separates the pro from the amateur other skill a keen eye or the right moment. Give a camera to a child and they've cracked it, give the same child a keyboard and they'll get back to you in due time.  Most photographs are created using a camera , which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see. The process of creating photographs is called photography .  The great thing about photography is its outward focus (puns and semi-puns are so hard to avoid) on the world around us, not the art itself. Moving from hobby photography to professional photography is a big jump. It's a jump not just because your ability to pay your mortgage and feed your family will now depend entirely on your talent with a camera and your skills at marketing those talents.  For me photography is about "collecting" experiences and allowing myself to be more than a fly on the wall in my subjects' lives. I don't think photography is dead, I think photography is an extremely young art form. I also look at the history of photography and see that many of its milestones have been based on the technology of the time.  Photography is going through an exciting transition period as many film photographers are beginning to explore the new capabilities made possible with digital cameras. Traditional aspects such as the fundamental techniques and lens equipment have remained the same, however others are markedly different. Photography is acquired when weather conditions, sun angle, and, when applicable, water levels are optimal to ensure that photographs will be suitable for a variety of purposes using standard photogrammetric techniques.  Natural light in photography is crucial if you want to take great portraits. Many assume this means the time of day in which she can shoot her portraits is limited. Photography is used to preserve memories of favorite times, to capture special moments, to tell stories, to send messages, and as a source of entertainment. Photography is an art of particularity, but this doesn't mean that photography must be from "outside in. If photography has too much natural accident, it will hardly carry visual dynamic. But if it has too much photographer intervention and manipulation of the subject, it will paralyze the expression of the subject's essence.  Once you've gotten your head around this and started shooting a few pictures, you might find that photography is quite fun and interesting. At first glance it would seem that unless you are a full-time adventure athlete, adventure photography is something that you will have little opportunity to apply yourself to? However, nothing could be further from the truth. When learning how to shoot action photos, there are many ways you can begin practicing and honing your skills when you are far from the mountains or wild rivers.  Some are able to select a wonderful location to shoot along with having the "artistic eye" to use the natural backdrop to obtain the best photographs possible. Pinhole photography is great fun and it can be the most serious kind of photography. There is the freedom from vying for the latest and the greatest the industry has to offer, and the freedom from the delusion that technically ever more perfect equipment is required for great photography.  Remote photography is used to learn more about things like bears' use of naturally-occurring bear rubs and how they respond to baited hair traps. Information from this work will be used to improve sampling methods and understand bear behavior. Photography is all about selection, first through the viewfinder and second when you look at the results. As long as there's selection involved, there's room for art - if the artist can pull it off. Good photography is all about seeing.  Input relating 'classical' portraiture to photography is not so easy to find. Though we may not want to take this kind of photograph, it still seems that we could learn a lot from the kind of discussion given here. Photography is also increasingly asserting itself on the auction block as an important investment. And its prices in the galleries and at the major fairs reflect its serious status. Photography is finally escaping any dependence on what is in front of a lens, but it comes at the price of its special claim on a viewer's attention as "evidence" rooted in reality. As gallery material, photographs are now essentially no different from paintings concocted entirely from an artist's imagination, except that they lack painting's manual touch and surface variation.  Underwater photography is becoming an exciting field of unexplored areas. Other photographers specialize in areas such as portrait, commercial and industrial, scientific, news, or fine arts photography. Photography is a customer service business. Whether you need family portraits, pet portraits, events coverage or complete wedding packages.  The most compelling part of digital photography is the idea of showing pictures to people wherever they are, as long as they are in front of a computer connected to the Web.  The overwhelming majority of older photographs are catalogued under the term "albumen prints" - the most common type of 19 th-century photographic print. Additional headings are assigned describing the typical cardboard mounts to which these images are attached - stereographs, cabinet card photographs, and cartes-de-viste.  Finally, If you plan on working with older photos, establish handling procedures and adhere to them whenever photographs are being used. View photographs in a clean, uncluttered area, and handle them with clean hands. Most 1860s-90s paper photographs are albumen. Even non-collectors associate horse-and-buggy and Old West images with the soft, sentimental tones that were produced by the albumen process. If only photographs are stored in a given area, 30-40% RH is best. If photographs are stored with paper, parchment, or leather materials, it may be necessary to maintain 40-50% RH to avoid placing unwanted stress on non-photographic materials.  Leo Pierson lives in Kentucky with his wife, five children and six cats. He helps people use simple technologies to save fuel. See this technology and get free information from his site at: http://www.NoMoreFuelCosts.info

  

10 Tips To Tell You How To Start A Photography Business By Finding Your Photography Niche

Sooner or later, most photography enthusiast give some thought to "how to start a photography business." Unfortunately, there are a 'few' challenges that "doom" us to failure. One of the biggest challenges that we bring is our failure to make the distinctions between our love of photography (re: our enjoyment and passion for photography) and the business of photography (understanding buying and spending habits of people that are photography customers).  For example, many of us think that because our photography work is "so good," that we shouldn't have that much trouble selling it. We, sometimes, mistakenly, think that great art and photography "sells itself." Big mistake! Great photography does not sell itself. In the business world, nothing sells itself - nothing! Knowing this is critical to start a photography business.  Our failure to make the distinction between our passion for photography and our desire to be in the photo business is also evident in how we try to tell people about what we do. For example, photography customers don't care what type of equipment we use. They don't care how many mega-pixels we have, nor how much our equipment cost us, nor what brand of camera we use. Photography customers (current and potential) want to know that we can, and will, produce the highest quality photography work for them.  Think about it, the mechanics that repair our cars don't tell us what tools that they use. The chefs in the restaurants that we patronize don't tell us what type of pots, pans or stoves that they use. In those businesses, it is already established what customers want and how best to give it to them. In other words, other businesses do a better job of understanding their 'niche.' In order to start a photography business that is consistently successful and growing, we must be clear on what niche we are offering and how to sell the benefits of our niche to the customers.  Another mistake that we budding photography business owners repeat is failing to "specialize" (know our photography niche) in what we do. As photography enthusiasts, we enjoy shooting any and everything. As photographers, that's just fine. However, when we start a photography business, we, mistakenly, try to be 'all things to all people' - we take every photography job offered us.  One of the obvious problems with this approach is our failure to recognize how it drastically cheapens the value of what we do as skilled photographers, in the eyes of the customers. Mistakenly, we want our customers (current and potential) to know that we can photograph anything - after all, we're very versatile photographers! What the customers actually see is that we're not "versatile photographers," we're just someone with a camera that's available to take pictures when they call us. Serious photography customers (re: those that can afford to spend regularly) want to do business with specialists - photographers that know their photography niche.  Successful wedding photographers are clear on this, as an example of my point. Their 'primary' customer (usually the bride) has dreamed about her wedding day for most of her life. She isn't looking for a vesatile photographer. She wants a "wedding photographer" that can make her 'look' as good, happy and beautiful as she has been in all of her lifelong dreams of 'her day' - her wedding day. There's a special skill to this type of photography service. In fact, this niche has more to do with well developed 'people skills,' in my opinion. Successful wedding photographers that are clear on these nuances are more successful in business.  Do your research.   Inventory Your Photo Collection - Take a look at your photo collections. Determine what it is that you 1.) shoot the most; 2.) shoot consistently well; and 3.) enjoy shooting. Identify your and categorize the photos into various niches, i.e. portraits, sports, glamor, pets, children, landscape, etc.  Research The Photography Markets - Do internet searches using the words "photography niche." Also, use the type of niche that you think your photos fit. For example, "event photography niche," "wedding photography niche," etc. Also, a good source to help identify some of the photo markets is "The Photographer's Market." This is a book that is published annually and claims to provide photo buying contacts and information. Online searches are the most useful, in my opinion. Books by author and photographer, Dan Heller are good places to get a better understanding of the vast world of photography, without all the 'artsy-hype,' in my opinion. He also has a very informative website - DanHeller.com  Identify 'Real' Markets - Find out what type of photography (of your specialties) your customers currently are purchasing. What type of photography is selling? At some point, you'll have to 'balance' the realities of the different niches. There can be some factors that aren't consistent across all photography niches. For example, some niches require longer "workflow" (workflow is the post production process of taking photos) periods and tasks than others. Higher quality portraits normally require photo editing - which is time-consuming. Event photography requires the processing, packaging and delivering (presenting) of photos. True story: I went through my large photo collections and found that I had a very large number of outstandingly beautiful flowers. I can't begin to tell you my disappointment when I found out that there is 'virtually' no market of photos of flowers - it seems that everybody has them already, everybody! Lesson learned - identify 'real' markets.   Ten Tips To Assist You To Identify Your Niche   Identify specialties that fit your style:  Determine if you have the necessary equipment for the niche  Do you have identifiable and specific skills in this niche area - can you articulate them?  Who is your target audience  What type of photography do they purchase the most  Where are they taking their photography business currently - your competition  What will be different about your services  Does where you live support your preferable niche  Is your niche 'stock photography' or 'assignment photography' - do you know the difference  What is the future potential and tendencies of your niche   Fortunately, the internet makes this information just a few clicks away. The information isn't difficult to find and learn. Knowing your niche increases your confidence tremendously. Truly know your niche - and your photography business will follow!  Kalem Aquil is a 'semi-burnt-out' photographer that dispenses free, unsolicited (yet, very good and accurate) tips and advice to budding photographers that want to take their photography business to the next level. He dispenses such advice to budding photographers such as "where to start," "what to charge," "how to know if you're really, really ready," etc. etc. etc. He dispenses his free and unsolicited advice here. Subscribe to his free ezine, the "Best Amateur Photography Tips Digest," and receive a Bonus Special Report - "How To Build Your 
Own Successful Photography Website." Click here to subscribe.

What is Photography

Of Photography: Optical imaging is the process of producing images mediated by the effects of light; rays reflected from the scene to be imaginative in the light-sensitive material, and then deal with this article then, is produced by a picture representing the scene. Called Photography is also photography. The word is derived from the photographic optical Aleonanipotni Alsmoo writing with light, so the advent of photosynthesis is essentially drawing an X-ray light. Captures images using the cameras to operate largely in the same way the eye works] of mankind. The God photographic eye, receives light rays reflected from the scene and collected at the center using a system of lenses, the camera recorded the fiction film. As a result, this fantasy that we can make it stable, you can also view it brokered an unlimited number of individuals.
And the evolution of photography that the emergence of digital photography replace film sensor electronic, digital photography has evolved to almost comparable to conventional imaging (Filmi). And Altaatsoer Limited has its presence in the Arab world despite the skill of the artists but the Arab cultural movement has ignored and neglected the art to be shown online creativity of Arab artists, and was for some sites (such as Friends of Light)

Photos of the scenic


Photography: Optical imaging is the process of producing images mediated by the effects of light; rays reflected from the scene to be imaginative in the light-sensitive material, and then deal with this article then, is produced by a picture representing the scene. Called Photography is also photography. The word is derived from the photographic optical Aleonanipotni Alsmoo writing with light, so the advent of photosynthesis is essentially drawing an X-ray light. Captures images using the cameras to operate largely in the same way the eye works] of mankind. The God photographic eye, receives light rays reflected from the scene and collected at the center using a system of lenses, the camera recorded the fiction film. As a result, this fantasy that we can make it stable, you can also view it brokered an unlimited number of individuals.
And the evolution of photography that the emergence of digital photography replace film sensor electronic, digital photography has evolved to almost comparable to conventional imaging (Filmi). And Altaatsoer Limited has its presence in the Arab world despite the skill of the artists but the Arab cultural movement has ignored and neglected the art to be shown online creativity of Arab artists, and was for some sites (such as Friends of Light)

Photos of the scenic

Design: a reflection of the inside of the human (spirit, heart, body, ocean, atmosphere)

Reflection of the inside of the human (spirit, heart, body, ocean, atmosphere)
Hair design .... .. Thoughts .. Memories .. Design feelings .. Sensations .. Hanan .. Longing. Separation and deprivation .. And and and etc.
Each step is designed to publish his work:
Be expressed, including within it to others. Through the work of art.
From any angle you should look to the design:
Must know how to taste the art first.
Then we make our views .. Quite frankly.

We must link our sense of the work ..
If we found a harmonious with our tastes .. With our spirit. Feelings
Mayma found may reflect what's inside ..
Then make a impressive gladly of this work which reconciles the owner to excellence in the delivery of its work to the artist and consciousness in its own right.
What do we expect of design:
Wait beauty ..
Waiting for the meaning ..
Waiting for the goal ..
Waiting for the performance ..
Wait excellence ..
At this stage .. If we did not find what we expect in getting work
Directed by the elements and performance art in the form required
Here we have the right to discuss the designer in action points,
Inform him of the existence of particular note in the corner, or Zaf point in the design.

And the designer really happy here .. Especially if those who accept feedback
An open mind. And gladly

3 rules must take into account when designing

First .. Origins of the idea
Secondly ... Cleanliness of work
III ... Colors

New idea ... beautiful effect and the new, correct colors ... ...
The required depth of the design
All of these things that you may see difficult at first .. it will be
Normal later you will notice that your taste has become a walking
Trajectory is surrounded by these rules ..

And other rules detect the passage of time .. and that continuity
Paint you a unique method and approach in the design of this ..
Curriculum formulate your own ideas and know them later ..

And thus .. For example, to cancel the issue of not being able to
Of mind completely .. because every professional started from scratch, but continuity
 
Reflection of the inside of the human (spirit, heart, body, ocean, atmosphere)
Hair design .... .. Thoughts .. Memories .. Design feelings .. Sensations .. Hanan .. Longing. Separation and deprivation .. And and and etc.
Each step is designed to publish his work:
Be expressed, including within it to others. Through the work of art.
From any angle you should look to the design:
Must know how to taste the art first.
Then we make our views .. Quite frankly.

We must link our sense of the work ..
If we found a harmonious with our tastes .. With our spirit. Feelings
Mayma found may reflect what's inside ..
Then make a impressive gladly of this work which reconciles the owner to excellence in the delivery of its work to the artist and consciousness in its own right.
What do we expect of design:
Wait beauty ..
Waiting for the meaning ..
Waiting for the goal ..
Waiting for the performance ..
Wait excellence ..
At this stage .. If we did not find what we expect in getting work
Directed by the elements and performance art in the form required
Here we have the right to discuss the designer in action points,
Inform him of the existence of particular note in the corner, or Zaf point in the design.

And the designer really happy here .. Especially if those who accept feedback
An open mind. And gladly

3 rules must take into account when designing

First .. Origins of the idea
Secondly ... Cleanliness of work
III ... Colors

New idea ... beautiful effect and the new, correct colors ... ...
The required depth of the design
All of these things that you may see difficult at first .. it will be
Normal later you will notice that your taste has become a walking
Trajectory is surrounded by these rules ..

And other rules detect the passage of time .. and that continuity
Paint you a unique method and approach in the design of this ..
Curriculum formulate your own ideas and know them later ..

And thus .. For example, to cancel the issue of not being able to
Of mind completely .. because every professional started from scratch, but continuity
By insisting reached the stage of wonderful
 
by admin..